(Lafayette Park, daylight, two new 4' x 8' signs:
"I WAS BORN TO CHANGE THE WORLD.
YOU WERE BORN TO CHANGE THE WORLD.
TOGETHER WE CAN CHANGE THE WORLD!
WORK FOR PEACE" and
"MOTHER
EARTH LOVES YOU --
LOVE HER BACK.
BAN THE BOMB!"
(The marchers pause to hug him, then exit. Throughout the scene a yellow-robed Tibetan monk sits in lotus position, meditating, oblivious for the most part except to occasionally pick up his drum for a few measured (and timely) bongs.
(He leans against the tree nonchalantly, arms crossed, observing.
(JONAH finishes his sign, holds it up for review:
A well-dressed PEDESTRIAN stops to look at it.)
(Stalks over to corner of stage, where he gestures imperiously for mousy AIDE to ENTER, marches back across stage with AIDE scribbling as he dictates.)
(During this exchange, a couple of Preppy-ish college
STUDENTS (STUDENT 1 and STUDENT 2) have stopped to listen.
AIDE pulls out a notebook, and walks away a couple of steps,
scribbling. Across the stage JAKE enters, dragging a toilet,
sets it up nearby with a roughly lettered cardboard sign,
(JAKE exits; LUTHER grimaces and mimes at scandalized passersby.)
(LUTHER becomes bored with his toilet, weaves over and sticks out his hand.)
(AIDE glances at him.)
(AIDE turns and walks offstage. Students pat their pockets, shrug, and walk offstage.)
"LUTHER! Can't you see we're WORKING? Why do you keep DISRUPTING us????"
(He reaches for her hand as if to shake it, seems to change his mind, bends over as if to kiss it, and then, grinning wickedly, guides her hand toward his crotch.) "Come to Big Daddy, momma -- he's VERY friendly, too! See?"
(FEY turns her back to petition the audience with literature.)
(Runs offstage after pennies. MONK grins and sits down next to FEY and BO. HESTER enters, pushing AC in a wheelchair, their belongings heaped in his lap. HESTER is no longer wrapped in plastic.)
(Pushes his wheelchair forward and back sharply, then winces. No one notices except NORMAN. The others are distracted by AC's falling blanket.)
(HESTER winces again, leans against the wheelchair, then sits down next to AC on the ground.)
(General assent. FEY opens the Bible and begins to read
aloud. JONAH relaxes nearby to listen. BO strums, the strumming
develops intensity as she reads.)
(BO strikes a discordant strum and falls back, laughing. During the reading, the sun has gone down. FEY shivers, unrolls the poncho and pulls it over her head, lying back on the grass, gazing at the stars through the tree branches, repeating the last phrases of Revelation quietly.)
(Everyone's eyes close for a moment of peace. Suddenly Officers SPOOFNER and PAYNE sweep in. UJC and NORMAN stand in the shadows of the Sycamore, unobserved.)
(JONAH, FEY, MONK, BO, HESTER and AC all sit up.)
(BO ambles over toward the sign. PAYNE leaps on BO from behind, chokes and bears him down, punching him several times in the back of the neck. HESTER hauls AC offstage, screaming. FEY reaches behind sign, pulls out a camera for JONAH, who photographs.)
(PAYNE turns on JONAH as two SECRET SERVICE cops enter to handcuff BO. PAYNE punches and kicks JONAH, who has tossed the camera to FEY; she photographs.)
(Camera clicks several times. SECRET SERVICE #2 holds and cuffs JONAH. Payne grabs for the camera, which FEY throws toward MONK; she's choked and thrown down by Payne. The poncho tears. Payne tosses it to Spoofner, who has been watching, stunned.)
(SPOOFNER, seeing JONAH peering up at him, his shirt torn and stained with blood, turns away, thinks for a long moment, then pulls out a plastic bag marked "EVIDENCE" and stuffs the poncho inside, picks up the banjo and carries them offstage, pausing to kick over UJC's teepee sign while UJC and NORMAN watch quietly from the shadows, unseen. All remaining characters freeze in vignette of horror as the lights suddenly blink out.)
(THUNK)