SAINT OF THE CINEMA
By Paul Attanasio
Washington Post Staff Writer
Saturday, November 22, 1986
; Page G08
"Mother Teresa," which is less a documentary than a commercial for
missionary work, follows the 1979 Nobel laureate as she performs her good
deeds around the world and is variously honored for performing them.
By way of narrative, the filmmakers, Ann and Jeanette Petrie, weave in
Mother Teresa's biography: how she grew up in what is now Yugoslavia, and was
attracted to missionary work by letters sent back from priests in India to her
sodality; how she worked 18 years there as a teacher, until she heard the call
on a train trip to Darjeeling; how she personally took care of 46,000 dying
people in Calcutta; how her order, the Missionaries of Charity, has expanded
to 70 countries including the United States.
There is an undeniable power to the images of this saintly woman and her
followers tending lovingly to people so horribly stricken with disease. But
those images fail to accumulate; "Mother Teresa" lacks a sense of artistic
austerity. Worse, there is something vaguely meretricious about "Mother
Teresa." As we travel from earthquake-stricken Guatemala to war-torn Beirut,
from the soup kitchens of San Francisco to the cloisters of Harvard, we get an
erroneous picture, less of an admirably selfless woman than of globetrottin'
Mother T., the Frequent Flying Nun earning a first-class upgrade for her trip
to Heaven.
Mother Teresa herself was interviewed to provide much of the voice-over
narration (the pompous remainder comes from Sir Richard Attenborough), but she
says nothing particularly edifying, beyond that we should love and share with
one another, and assorted bits of catechism. We also learn that there's no
difference between spiritual and material poverty, which should be news to
Ivan Boesky and Mitch Snyder alike.
The documentary hardly delves into the psychology of altruism, beyond the
contentions of several nuns that "something was missing" in their lives. And
it avoids altogether the question of overpopulation. The Catholic Church has
steadfastly rejected birth control, and Mother Teresa, good soldier that she
is, has toed the line. This is probably the first documentary that will be
included in a re'sume' for canonization. Mother Teresa, at the K-B Paris, is
unrated but contains scenes that may be disturbing to young children.
Articles appear as they were originally printed in The Washington
Post and may not include subsequent corrections.
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