HESTER: "AC, AC, what now, AC?"
(Sits leaning against the wall, hugs herself. A METRO COP
enters, stands over her threateningly, taps her on the foot and
gestures with his nightstick that she must leave. She gets up
and limps away; spotlight stays with her, slide/backdrop rises on
alley.)
"I'm tired, AC. Cold and tired. Used to be I could make it on
my own. But you spoiled me. I was safe with you. I'm so sick
of this life. I don't want to wait."
(Weeps wearily.) "Old Man, I'm comin' home."
(Spotlight rises on opposite side of stage on AC snoring in
hospital bed, tubes extruding from his nose and wrists, a cardiac
monitor blipping. LUTHER enters the alley as FEY enters the
hospital room.)
LUTHER: "There you are, Hester. Are you okay?"
(She looks at him blankly.) "Here, the wind will sap the
life right out of you." (Drapes the blanket around her.)
"Lemme take you to Roy Rogers, get you somethin' to eat."
(Blanket slips; HESTER still doesn't answer. LUTHER tucks
blanket in closely.)
"Well, I'll just sit with you here, then, for a while."
(LUTHER wraps his arms around HESTER. Meantime Nurse (Nu) enters, checks AC's pulse, reads the monitor, nods
her satisfaction, motions FEY to leave.)
NURSE: (Whispers.) "It looks like he might make it after
all."
(FEY hurries out. LUTHER's head nods, dips down on HESTER's
shoulder. She jumps once, then sags. AC starts, lifts his head,
the cardiac monitor speeds. Head drops back.
METRO COP enters alley and stands for a moment over HESTER
and LUTHER, then raps the wall. LUTHER sits up, startled.
HESTER doesn't move.)
METRO COP: "Wake up!" (No movement.)
LUTHER: "Hester?...."
(No movement. He shakes her. She slowly topples over. AC
stirs, lifts his head again. He and LUTHER simultaneously speak)
LUTHER & AC: "Hester?...."
(METRO COP feels her pulse, calls for backup.)
LUTHER: (Bewildered, tears welling.) "She didn't even let me know she died." (Cries.)
(Spotlight down on AC and LUTHER, rises on FEY, sitting alone on a park bench. She blows on her fingers, then writes in her lap.)
FEY: "`Letter to the Editor: A woman died in an
alley two nights ago. This morning I saw your headline: 'BAG
LADY DIES OF EXPOSURE.' Hester was no `bag lady.' She was a
generous and compassionate friend. And though it was cold the
night she died, Hester didn't die of exposure. What Hester died
of was a broken heart.'"
(While FEY's writing, ANNIE enters, stands hesitantly
watching. FEY becomes aware of her presence, looks up.)
FEY: "Annie? ANNIE?"
(FEY jumps up, dropping her papers, which the wind picks
up and blows, and she chases. FEY returns, laughing and
clutching her papers.)
FEY: "My God, I never get over how beautiful you
are."
ANNIE: "Bad genes." (Her mouth quirks in an
errant smile.)
FEY: "Do you have a hug in your heart for me,
honey? Or am I too much of a reprobate?"
ANNIE: "A hug? Sure, why not?" (Allows FEY to
hug her, stiffly.)
FEY: (Stung.) "What's happening with you?
Here, let's sit down."
ANNIE: (Allows FEY to
lead her to the bench.)
"Well, since I saw you last I've had five jobs, three apartments,
I've dropped in and out of college, I've sold all the heirlooms,
I'm now unemployed, I'm breaking up with my boyfriend, and lots
more that isn't any of your business. Is that enough?"
FEY: (Stifles a smile.) "So, welcome to the
world you chose!"
ANNIE: "You may think it's funny, but I'm a wreck.
I can hardly stand myself."
FEY: "Good for you."
ANNIE: "What do you MEAN? GOOD for YOU. I should
hate myself? Am I that terrible?"
FEY: "No, honey. It just means that you're in the
middle of some growing pains. They'll pass quicker if you learn
how to forgive."
ANNIE: "Forgive who? You? I'm finding that hard
to do."
FEY: "I noticed. No letter for nearly two years."
ANNIE: "You should never have had me. You had no
right to have me unless you wanted me."
FEY: "WANTED you? I WANTED you from the day you
were conceived! No, since the day my mother miscarried when I
was eight years OLD! To me YOU were that long-awaited sister!
Poor kid, I always embarrassed you. Other kids had moms."
(Laughs.) "Remember when we lived together up there in the
north woods, just you, me, and your brother, and I took you to
the jazzercise class, you sedate in your proper adolescent
clothes, but me in tights and ragged cutoffs, a yellow parka and
shocking blue moon boots and you didn't want to be seen with me?
Or how you pretended not to know me in Duluth when your brother
and I skipped down the middle of Main Street in broad daylight?"
(ANNIE nods solemnly.)
"Hey, kid, you could use a sense of humor."
ANNIE: "Well, you were okay as a mom, when you were
there for me. You know," (grows passionate) "...you're
the only person I felt at home with, and there you went, running
away to live on a sidewalk, how can you expect me to feel at home
with you on a sidewalk?"
FEY: (Flinches.) "It was you, you know, who
ran away!"
ANNIE: (Aghast.) "I ran away?"
FEY: "Yes."
ANNIE: "WHEN?"
FEY: "When you left D.C. You could have stayed
here. I asked you to. But you didn't want to. I've often
figured maybe you were ashamed of having a street person for a
mother."
ANNIE: "Well, what do you expect? Besides, D.C.'s
too expensive...."
FEY: "So you spent $2,000 moving to the beach...."
ANNIE: "It was time to go."
FEY: "And now you wish you were dead because I
don't have a roof to put over your head?"
ANNIE: (Grins sheepishly.) "Well, I suppose
that seems melodramatic." (Pumps up new outrage.) "But
it's my LIFE we're talking about!" (Sweeps her arm
around.) "WHAT do you EXPECT?"
FEY: "Nothing but the finest."
ANNIE: (Grimaces.) "I know."
(They both fall silent. ANNIE's foot taps impatiently on the
ground as she looks out at the White House; FEY watches ANNIE's
hands twisting in her lap.)
FEY: (Sighs.) "And you? Where do you go
from here?"
ANNIE: "Well, that's really what I came to tell
you. I've joined the Navy."
FEY: "The Navy."
(ANNIE looks at her defensively as FEY thinks a long
moment.)
FEY: "Okay.... But what if you have to kill?"
ANNIE: "I won't. I'm a girl."
FEY: "What if that changes? It's easy to kill
these days -- a push of a button, a video game."
ANNIE: (Rises irritably.) "I'll deal with
that. Meantime I travel for six years, get trained, and Uncle
Sam takes care of me."
FEY: (Remains seated. Thinks a moment.)
"Well, we all have to learn our own way. This is bound to be
educational." (Grins.)
"Let me know what you find out, okay? And ... Annie?"
ANNIE: "What?"
FEY: "Thanks for telling me."
ANNIE: "Sure." (ANNIE turns away, toward
audience.) "This is torture. I'd better get out of here
before I fall apart."
FEY: (Stands up. Turns toward audience.)
"This is torture. Such distance. So unnatural. Unnatural?
I'll figure it out after she's gone." (They turn, bump into
and grab each other.)
"Please, Annie, thaw ... or go ... I pray ... before I fall
apart." (They hug clumsily.)
ANNIE: "I have to go!"
FEY: "You do? I know."
(ANNIE pulls back and walks away, her back stiff and straight.
FEY watches her, hand unfolded, until just before ANNIE
exits.)
FEY: "I love you!"
ANNIE: (Pauses, looks back over her shoulder and
nods once, lips pressed firmly together.)
"I love you too. But why does love have to hurt so bad?"
(She turns and exits.)
LIGHTS OUT
Peace Park Page | Proposition One